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2005, Set Three, Page Two
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Preacher Manby Robert B Godwin
He stepped upon the stage to bless the crowd As funding was a problem every day, Preparing for his nightly ministry, Knowing well what they had come to hear, Artfully, he let their voices swell, Swaying to and fro, they sang and moaned; His voice would rumble through the ancient tent; I would stand beyond this ring of faith, Graduation Ballby Robert B. GodwinSeniors know that he will be in tune with her, Together, they have studied Music, one-on-one; There are those "special" times, when he is most assured "What does she see in him?" so many young men ask, Weeks of fancy dancing lessons lie ahead Knowing that the boathouse doors will be unlocked, Grandma told me tales of Grandpa's courting days, In those ancient days, a couple would hold hands That was then. This is now, a different time. All concerned agree upon a wedding date: As the loser in this contest for her heart, Those Days Are Goneby Robert B. Godwin
The past he misses, yet those days are gone He looks upon past years in reverie, He knows this to be true, for he, at last, He read her heart, and knew what lay ahead. It hurt to hear her voice join in with his Time has stopped his plea, for he admits His mind still wanders to that April day Reality destroyed poor Robin's dream In My Mindby MayaSnake like, a thought lies coiled in my mind All other desires now lie squeezed out My body twitches and jerks, zombie-like, I move towards my dream in wish fulfillment In the brief minutes of wakefulness I falter Editor's CommentsFri Aug 5 11:35:01 2005 All three of Robert Godwin's ghazals tell a story but do so in disjunct couplets, appropriate for a ghazal. The narratives are told in a series of scenes, like a sequence of film clips with the same underlying narrative arc but enlivened by shifts in place, tone, and so on. Preacher ManThe qafiya in this ghazal is impressive--so many appropriate verbs ending in "-ess." And the last one shifts semantic gears drastically, which I think is one of the points of the signature couplet.Graduation BallThe whole ghazal is saturated with the speaker's resentment at losing the girl. Perhaps more than telling a story, this poem draws a psychological portrait.Those Days Are GoneThis ghazal continues the psychological and emotional theme of the previous one.In My MindDon't let Maya's first sher fool you--the snake coils in her mind "like" a thought, where you might expect a "thought coiled like a snake." This ghazal erases the boundary between thought and object, between thing and awareness. The ghazal, with its dense repetitions, lends itself to this kind of psychological exploration. |
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